Made with new experimental clay mixed by hand and fired on the top shelf at the front of Joy Brown’s wood kiln. No glaze on these pots as they went in, the kiln does it for me. I am very pleased with this year’s results.
Wood firing is my favorite thing and I’ve been doing more of it this year. I make pots out of stoneware, my friend Mark Rowntree and I have a new clay body we mix ourselves, and the pots go in the kiln largely unglazed. There’s Mark’s little kiln in Philmont, which fires in just over two days, and then every year we go fire Joy Brown’s big anagama in Connecticut with all our other friends. The pots from this kiln are my favorite, the longer I look at them the better I like them. They’re a little more expensive, but oh so worth it.
